Sun, 29 July 2018
“Vic and Sade” is the driest of domestic comedies. We present two 15-minute visits to “the small house half-way up on the next block.” Young Rush wants to host a party that will make you swallow your shoes (so to speak) and Sade gets the guys to move two tons of coal from a neighbor’s cellar to theirs. Then, on the dramatic anthology show “Family Theater,” the cast of a radio crime drama are moving to television as part of a summer replacement experiment.
Episodes
Vic and Sade March 3, 1938 “Official Host”
July 5, 1939 “Two Tons of Coal #1” 02:08
Family Theater December 1, 1954 “Summer Replacement” 28:42
Direct download: Presenting_the_Transcription_Feature_-_VIC_AND_SADE_and_FAMILY_THEATER.mp3
Category:Presenting the Transcription Feature -- posted at: 4:35pm EDT
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Thu, 12 July 2018
Monty Woolley, the actor, writer, radio and movie star, is probably best known as the star of “The Man Who Came to Dinner.” But he also headlined his own radio comedy, “The Magnificent Montague.” He played Edwin Montague, once the leading light of the legitimate theatre, now reduced to acting in a radio melodrama. In these two episodes Montague goes to Hollywood. He’s supposed to star in a film version of “Macbeth,” but neither Tinseltown nor he are ready for each other.
Episodes
The Magnificent Montague January 19, 1951 “Lost in Hollywood” 3:22
The Magnificent Montague January 26, 1951 “The Screen Test” 34:21
Direct download: Presenting_The_Transcription_Feature_-_THE_MAGNIFICENT_MONTAGUE.mp3
Category:Presenting the Transcription Feature -- posted at: 7:58pm EDT
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Wed, 4 July 2018
Episode 48—The Doctor is the Monster
Science fiction writer Scott Pearson talks with urban fantasy author Melissa F. Olson about Mary Shelley’s Frankenstein in part one of a two-part interview. Then his daughter Ella pops in for, among other things, a spoilery mini review of Jurassic World: Fallen Kingdom.
Segments
Intro :28 Who’s the Monster 1:30 Mary Shelley’s Complex Characters 6:20 Frankenstein: Reading and Teaching 8:27 Klinger’s Annotated Frankenstein and Multiple Texts 10:41 Mary’s Text versus Percy’s Text 13:50 Mary Wrote Frankenstein, Full Stop 16:32 Frankenstein Scholarship 17:57 Coincidence in Frankenstein 20:11 On Not Reading Mary’s Other Books 21:40 Nesting and Filtered Narratives 22:45 On Victor Being a Weasel 27:15 Mary and Percy’s Death 29:43 It’s Alive! 31:55 Victor Almost Never Learns 33:50 Sidebar: Dracula 2000 and Klinger’s Annotated Dracula 38:43 On Discovering Klinger and Collecting Frankenstein 43:44 Editing a Dream Frankenstein 45:57 Ella is SO Busy 47:45 The Star Trek Original Series Set Tour 49:22 Some Upcoming Fifth Season Shows 54:35 Jurassic World: Fallen Kingdom 55:50
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Sun, 1 July 2018
Recorded on Facebook Live July 1, 2018
Longtime friend of the Rift (we're talking all the way back to 1990 and the first season of the public access show) Greg Cox returns to the podcast to talk about his career writing tie-in media fiction which has lead to his receiving the Faust Award (a lifetime achievement award) from the International Association of Media Tie-In Writers. Greg points out the long history of media tie-in fiction (going back to the silent film era) and tells us about the various elements a media tie-in writer has to juggle in order to make an adaptation happen.
GREG COX is the New York Times bestselling author of numerous novels and short stories. He wrote the official movie novelizations of WAR FOR THE PLANET OF THE APES, GODZILLA, MAN OF STEEL,THE DARK KNIGHT RISES, DAREDEVIL, GHOST RIDER, DEATH DEFYING
Direct download: The_Chronic_Rift_022.mp3
Category:The Chronic Rift Podcast -- posted at: 5:01pm EDT
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